My work begins where the whole history of images collapses. Today, more than ever, visual representations are ubiquitous, yet unreliable. The more real something appears, the less we trust it.
I focus on what cannot be easily produced or imitated: states of being – tension, solitude, transformation, rupture, becoming.
Both intimate and impersonal, formed within the tension between contemporary code-based visual language and deeper layers of collective memory and situated experience, they trigger recognition at a subconscious level, where feeling precedes interpretation.