I enter the digital unconscious as both archaeologist and therapist. Out of thousands of algorithmic hallucinations I search for figures that still carry a pulse: wounds, halos, distortions that feel both deeply personal and universally human. The machine is a bank of broken references, my task is to return them to breath, weight, and sense.
Painting is my alchemy. Oil, time, and gesture restore to the digital noise a body and a duration. Each brushstroke is a refusal of erasure, a validation: this existed, this hurt, this survived.
My figures are not portraits but fragile states of being: transition, rupture, survival, becoming. They appear as saints or hybrids, fragile icons of resilience in an age ruled by algorithms and control.
What AI reduces to statistics, painting reclaims as archetype and presence. Out of fragments I assemble a new iconography of our time.